More stars than you can see .... but the camera can |
Photographing starry skies and campsites at night Is
something I’ve done for decades but only in the last few years have I started
to take it seriously and think about the best way to get good results.
Experimenting with different settings on the camera, different lenses and
different ways to use headlamps to illuminate camps has been an interesting
exercise.
One of the first things I learnt was that all my lenses
distorted stars slightly so they appeared to have short, comet-like tails or
else were elongated into ellipses (an effect known as coma). Not having a fast
lens was part of the problem as it meant I had to use long shutter speeds that
recorded the slight movement of the stars during exposure. It also meant I
needed to use higher ISO speeds, which resulted in more noise in the images. Most
lenses aren’t that sharp at their biggest apertures either.
Research on the Internet came up with one fairly unique fast
wide angle lens designed for mirrorless cameras like my Sony NEX 6 and 7 – the Samyang
12mm f2 NCS CS – that was recommended for star images and said to produce good
quality wide open at f2. The price was low and the lens lightweight (278 grams)
so I bought one. And after my initial use I can say I’m pleased with it and
feel it’s certainly worth the money.
The Samyang 12mm f2 lens fitted to the Sony NEX 7. |
The lens is fully manual with aperture and focus rings. There’s
no electronic connection. All you can set with the camera body is the ISO and
the shutter speed. Having used lenses like this for many years with film
cameras the lens didn’t feel unfamiliar though it probably would to anyone only
used to fully automatic digital lenses. Manual focusing isn’t a problem for two
reasons. Firstly 12mm (equivalent to 18mm on a full frame/35mm camera) is so
wide that depth of field is enormous even at large apertures. Secondly the NEX
cameras have ‘focus peaking’ that gives sparkly coloured edges to the areas in
focus. For night photography I’ve used the lens set to infinity anyway and wide
open at f2.
Compared with night shots from my other lenses the Samyang
12mm definitely produces more pinpoint stars with less coma. It also lets in
enough light at f2 that I can use lower ISO and shutter speeds. The night image
accompanying this piece was taken at ISO 400 with 8 seconds exposure.
Crop from the image below |
A fast lens like this plus a digital sensor can capture far
more of the stars than you can actually see. The two versions of the image here
show this. The darker one approximates what I could actually see, the second
one what appears when the exposure is increased in Lightroom.
Closer to what I could see ... though there's still probably too many stars |
The Samyang lens was used for the night photos in my post on
camping on Ben Macdui – link here. That’s the only backpacking trip I’ve taken
the lens on so far. I doubt I’ll take it on trips of more than one or two
nights because of the extra weight. My Sony E 10-18mm f4 zoom lens is more
versatile though not quite so good for star images. However I will carry the
Samyang on shorter trips when the forecast is for clear skies.
I recently got a Samyang 14mm for my Nikon D800. I'm guessing it's probably very similar, sized for the different sensor. I was very impressed. The results are pretty good, and for the price it's a bargain. Here are a couple of shots: https://flic.kr/p/qGwTh1 https://flic.kr/p/qWiUKn
ReplyDeleteLooks similar Mark, though a wider angle. Your link is broken.
DeleteThat's odd. Here:
Deletehttps://www.flickr.com/photos/magneetti/16211248124/
https://www.flickr.com/photos/magneetti/16367147563/
Interesting Chris. Not sure if it's me but there's still some digital noise in them pics. Might be worth trying the noise reduction tool in Lightroom mate. That can help but it's something to be careful with as it can make the image appear blurry.
ReplyDeleteI was toying with the idea of the very same lens some time ago. Alas I didn't need it in the end. As you know the Sony A7S I'm now using has incredible low light capabilities. Most of the night scenes I've captured that you've seen were set to f8, 8secs - I can't recall the ISO but it was very high! And little to no digital noise at all.
Thanks Terry. There is still some digital noise. I'm still experimenting with the lens. I'm very wary of noise reduction for the reasons you give. I'd rather have a little noise than lose too much sharpness.
DeleteAye, that's the trick mate sadly. Striking the right balance. Either way, you've got the right lens for it now.
ReplyDelete